Chinese court officials hanfu

grass, grasses, nature, landscape, meadow, summer, green, close up, macro, bokeh, ruralChinese patchwork jacket, particular for male children. The baijiayi is used as a protective talisman for children. It is a traditional Han Chinese custom garment, which has been passed down for centuries. The baijiayi is a symbol of longevity, and it was one of the ritual procedures of the “One-hundred-day celebration”, along with the baijia locks. In the past, due to the lag in health care and education, infant mortality was relatively high. It could also be embroidered with symbols and motifs which were considered auspicious, such as auspicious clouds, the Chinese zodiac, the bagua and the five poisons. Nevertheless, people believed that an infant’s death was due to a ghost. The baijiayi was supposed to protect the child from evil spirits through the use of many donated fabrics of multiple colours. These pieces of fabric would symbolize the combined strength of the donators and were believed protect their sons from or ward off evil spirits and ghosts. The mother would receive these pieces of fabrics in order to make the finished baijiayi for her child. These small pieces of cloth was collected from various local families, which were supposed to represent ” one hundred families”. The baijiayi could not be taken off until the child reaches one year old. People started making Chinese patchwork in the Liu Song of the Southern dynasty era. The first emperor of Liu Song dynasty, named Liu Yu, was born in an underprivileged family. His mother gathered rags from the neighbourhoods to make a patchwork cloth. When he became the emperor, he perceived this kind of patchwork as the symbol for his impoverished childhood. Afterward, his subjects followed this royal custom of making “Bai jia yi” for their babies. A similar style of clothing to the baijiayi is the shuitianyi. Hanson, Marin F. (2012). “Cross-cultural Commemoration:Historical Chinese Patchwork Inspires a New Tradition in America”. Textile Society of America 13th Biennial Symposium. Hanson, Marin, F. (2014). “‘One Hundred Good Wishes Quilts’: Expressions of Cross-Cultural Communication”. All the infants in Liu’s family had to use the patchwork so that his offspring could know how fortunate they were. Uncoverings: Research Papers of the American Quilt Study Group. Feng, chinese clothing traditional Ge (2015). Traditional Chinese rites and rituals. Zhengming Du. Newcastle upon Tyne: Cambridge Scholars Publishing. Aqiusha (2012). “百家衣的由來 (Origin of Baijia yi)”. Yin, Zhihong (2019). “Study on the Evolution and Development of Baina Clothing to Shuitian Clothing in the Ming and Qing Dynasties”. Proceedings of the 3rd International Conference on Art Studies: Science, Experience, Education (Icassee 2019). 368. Atlantis Press: 315-318. doi:10.2991/icassee-19.2019.65. This page was last edited on 15 November 2024, at 08:40 (UTC). By using this site, you agree to the Terms of Use and Privacy Policy. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.

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